Dancing Geese - Quilt of the Week - 1/4/2021

 

Dancing Geese, made by Pam Geisel, 10" x 19"

My first "2021 Quilt of the Week" is Dancing Geese. It is the oldest quilt that I have for sale. I made it March of 2011 for the Project Quilting challenge Flying Geese where we also had to use complementary colors. The flying geese are only 2" on the longest point and they are folded then appliqued to the background.

Because this is the Quilt of the Week, it is 10% off the original price of $200 through 1/10/21 if you purchase directly from me. Details can be found here.

Eight Quilts...Six Locations...One Day...June 23

I have several quilts out in exhibitions this summer. Because of the overlapping schedules, on June 23 I'll have eight different quilts in six different locations.

"Let a Hundred Flowers Bloom" is at the Ohio Craft Museum, 1665 W. Fifth Avenue in Columbus, although June 23 is the last day. It will move on to the Wayne Center for the Arts in Wooster, Ohio from July 12-August 18 and then to the Fitton Center for Creative Arts in Hamilton, Ohio from September 14-November 9.

= = = 

"Sacred Heart Church #1" and "Dayton Skyline #6" are both part of the Dayton Landmark Quilts. The other 20 panels were made by members of the Miami Valley Art Quilt Network. These quilts are at the Schuster Performing Arts Center in Dayton, Ohio, but only until June 24. They will be in other locations this summer and fall.

= = = 

"Early Morning Nine Patch - Montana Sky" is in "The View," the annual landscape competition at the Rosewood Arts Centre, 2655 Olsen Drive in Kettering, Ohio. That show runs until July 6. This quilt won "Best in Show." 

=  =  =

"Zig Zag Twist" and Dancing Geese are included in the Monday Morning Artists' Exuberance exhibit at the Yellow Springs Arts Council Gallery, 111 Corry St. in Yellow Springs until July 14. If you come to Yellow Springs to see this exhibit, be sure to go across the street to visit Village Artisans where I'm one of 20 co-op artists.

= = = 

"Sometimes I Dream of Flying" will be at The Good Earth, the annual art quilt exhibit at the Aullwood Audubon Center in Dayton, Ohio. That show starts on June 23 and ends on August 19.

= = =

"Inside of a Dog," an exhibit in the Dayton Art Institute's Experiencenter runs through April 2013. The museum is located at 456 Belmonte Park North in Dayton, Ohio.

Wanna go on a road trip? I've already planned the route, it's 90 miles and will take 2.25 hours for driving. Depending on how long you want to spend looking at the art, add half an hour to an hour per location. And don't forget time for lunch. And maybe dinner, too! (If you skip Columbus, it's 36.5 miles and takes 1.25 hours for driving.)

What I Got From Project Quilting

The second season of Project Quilting is over and it was both fun and exhausting.

What did I get? I am the grand prize winner for the season! I’ll be getting some great prizes (lots of fabric) and helpful comments from the judges. Most importantly I got 6 wonderful art quilts that I probably wouldn’t have made otherwise (technically I only have 5 because one has sold).

There were some really great competitors, which should be obvious since while I won first place over all, none of my individual quilts made it to first place (although 4 of them got second place).

I also learned more about how I like create. My main method of working was to read the challenge then go to my fabric stash and start looking through the fabric options. Usually that would start me thinking of possibilities and I’d sketch out a few layout options.

With the exception of “Let a Thousand Flowers Bloom”, all the other fabric was taken from my stash. I find it interesting to think that if I’d hadn’t had the fabric I did at the time, my projects could have ended up quite different.

Below I’ve given some more information about the six quilts, including what I would have done differently, although most of the changes I would have made were how I constructed the quilt and not in the design or fabrics.

"Carnival of Colors"

for the Primary Colors challenge

What I would have done differently: I thought that fusing the color squares to the background and covering the edges with cord would save some time, but I don’t think that it did. The cord was too thin to completely cover the edges so I ended up going back and quilting in the ditch inside the color squares. I think it would have gone better to just piece it in a more traditional way and the put the cords over the seams. This would have made the quilt smaller as part of the original fabric would have ended up as seam allowances.

To read more about "Carnival of Colors" click here.

"Sometimes I Dream of Flying"

for the What's in a Name challenge

Maybe this one was a little too ambitious as it was the largest one and took the longest to make, but it is the one that I’m the most proud of.

One of the reasons it took awhile was because I decided to add the traditional Birds in the Air blocks at the top and the bottom and I wasn’t paying enough attention because I ended up cutting twice as many pieces as I needed, but I ended up using some of them because I didn’t piece it together correctly.

Then there were some of the “field” pieces that I didn’t like the placement of during the quilting stage so I ended up hand appliquéing some different fabrics on top of the original pieces. I don’t think I mentioned this is the original blog post but some of the fabrics I used the “wrong” sides of because I wanted them to be lighter in color.

What I would have done differently: paid more attention when piecing the Birds in the Air blocks and made the correctly the first time and planned the field fabrics better so I wouldn’t have had to replace some. 

To read more about "Sometimes I Dream of Flying" click here.

"not even the rain: a love poem"

for the Be My Valentine challenge

I originally had the middle sections (with the flowers and text) covered with a nice sheer fabric to help hide the places where I machine appliquéd the fabric with the text but then I decided it was too subtle so I had to cut the sheer out. I was really concerned that the piece was too plain. I had planned on adding the fun fur all along and I was surprised how much of a difference it made. One of the judges gave me a perfect 10 on this quilt, and it has already sold.

What I would have done differently: not put the sheer on in the first place.

To read more about "not even the rain: a love poem" click here.

"After the Rain"

for the Hardware Store Challenge

Since the first season of Project Quilting had the Office Store challenge, I was expecting something like this for this season. This was my favorite challenge because it came together fairly easily. I already had the fabric and since I’d bought them at the same time, I knew they went well together. Most of my time on this project was sewing the silver cord through the drain cover to make it appear less metallic and for me it was actually relaxing to do this.

This is my favorite of the six quilts and I there isn’t anything I would have changed about the way I made it. I love that it has a simplicity about it but also has movement and texture. I also really like our local hardware store.

To read more about "After the Rain" click here.

"Dancing Geese" for the Flying Geese challenge

I got my lowest score on this quilt (so it’s the one that was dropped from the total score) and this was probably my least favorite of the challenges and I think it’s because I’m not fond of working with contrasting color schemes. I took this to mean that we could only use the complimentary colors but some others interpreted that you could add some other colors as long as the contrasting colors were the most prominent.

It also took me awhile to come up with a layout for this quilt, I’ve got 21 pages of sketches. I’m not sure what I would have done differently, maybe gone with another layout or different color scheme.

There is, however, one judge’s comment that I’d like to address. “I don’t see any binding in any of your photos.” I used a facing technique because I DIDN’T want the binding to show. I really like this technique because it doesn’t interrupt the flow of the design, it takes the bulk out of the corners, and it helps the quilt to hang straighter. While facing might work better with art quilts, is an acceptable technique to use to bind quilts. 

To read more about "Dancing Geese" click here.

"Let a Hundred Flowers Bloom"

for the Large Scale Print challenge

Sometimes when I’m making a lot of custom quilts, I don’t have the luxury to go back and re-explore some techniques. For this quilt, I decided to incorporate a few ideas that I used in some of my other Project Quilting pieces.

I used the fabric mosaic technique that I used with the bird on “Sometimes I Dream of Flying” only I let the edges stay at whatever angle they ended up at and I covered them with netting.

I also used the yarn and ribbon embellishments similar to “After the Rain” except instead of letting them just hang down, I had them run horizontally so I had to attach them to the quilt so I did that using beads.

What I would have done differently: One of the judge’s comments was “I like to see mitered corners on a striped border.” I totally agree and usually do this, however the yellow inner border is so thin it was giving me problems when I tried to miter it, and after several unsuccessful attempts, I gave up on it.

An interesting side note to this challenge: the last several times I’ve been in quilt shops I’ve looked at several large scale prints and stripes with a new appreciation. I haven’t bought any, but I did consider some. 

To read more about "Let a Hundred Flowers Bloom" click here.

---

I appreciate all the hard work that the competitors and judges did, plus extra kudos to Kim who co-ordinated the whole challenge. I urge other quilters to participate in this wonderful project. I’ll let you know when the next season starts, but until there there will be some off-season challenges (no prizes but you’ll have a month to complete your projects). More info will be posted soon.

Dancing Geese - Project Quilting time to vote

At left: "Dancing Geese" 10" x 18.5" Project Quilting, Season 2, Challenge 5: Flying Geese, Mar. 2011  

Quick recap of the challenge Flying Geese: 
1. Your inspiration is Flying Geese. I'm sure you've all seen the traditional flying geese. Your challenge is to let them inspire you to do something unexpected.

2. For an extra twist this week, you are required to use a complimentary (opposites on the color wheel) color scheme.

I actually spent a lot of time coming up with the layout for this quilt. Using my computer, I played with many, many different arrangements. One of the things I love about using traditional quilt blocks is the way different parts of the block are emphasized or de-emphasized depending on color and fabric placement.

I knew I wanted the background fabric to be all the same so the triangle parts of the geese would be the focal point. Once I finally came up with a layout I wanted to do, it was time to start playing with complimentary color schemes.

I went to my stash to see what fabrics I had that I thought would work with and I wanted the fabrics for the triangles to be the same color but to range from light to dark. The color that provided me with the most range from my stash was yellow, although yellow is a light color so it doesn’t have a large range of shades. And if the geese were going to be yellow, then the background would have to be purple. I found a wonderful purply batik that had cream and yellow colored swirls, so it was time to get started.

"Dancing Geese" detail

I knew that I could fuse the triangles to the background but I was a little concerned about the background showing through the yellow fabric and I also didn’t want the geese to be so flat.

I played around with some origami-like folds, kind of like making prairie points, only I didn’t realize that until later. The triangles are pretty small, only 2” on the longest point. (The 3-D quality of the triangles is more noticeable in the “Side View” photo.)

A few false starts on figuring out how to piece the background led to cutting the background fabric for each “stripe” and drawing the shape on the wrong side, much like using a template only I traced by placing the fabric over my full-sized diagram on my lightbox.

Still using the lightbox, I placed the triangle in its proper place then sewed adjoining pieces and attaching the bottoms of the triangles at the same time. The points of the triangles were sewn into place during the quilting.

"Dancing Geese" side view

I made the top and left borders the same width as each other and made the right and bottom borders the same as each other but larger than the left and top borders and I added a light purple cord in the larger yellow borders to contain the triangle that extended beyond the background. I decided to do some of the quilting with the opposite color, which is something I don’t do a lot, but I think it helped the design. I did some echo quilting around the triangles with a yellow thread and also stitched in the ditch on the yellow inner border and more echo quilting in the purple background with purple thread.

For the binding I used the same strip- facing technique that I used on the last challenge quilt “After the Rain” because I liked how well it worked.

More about Dancing Geese

= = =

Click on any of the photos to see them larger.

To see the other entries, go to the Flying Geese page.