Book Review: The Last Runaway by Tracy Chevalier

I was flipping through an issue of Ohio Magazine when I saw an interview of the author of this book. Since there was a large photo of the book cover, that was what I noticed first. You know how sometimes your mind skims things and tries to fill in the pieces, often misinterpreting them? Since there was an image of a woman in period clothes, since the word “Runaway” was in the title, and since the author’s last name was long and had “C H V plus some Es and an A” I assumed it was about Jennifer Chiaverini, whose books I have reviewed on this blog.

I realized my mistake right away, read the article, and learned that the book was set in Ohio (where I’ve lived all my life!), was about a quilter (I like to quilt!), and was set in the 1850s and dealt with slavery and the Underground Railroad (OK, not a personal connection but I have recently enjoyed reading books set during the Civil War). I hadn’t read any other books by Tracy Chevalier but I sought this one out and I’m very glad I did as I really enjoyed it.

The story is about Honor Bright, a young Quaker woman who has just emigrated to Ohio from England. Aside from having to get used to living in a new country with people she’s never met, she also questions the local Quaker’s views on slavery and their actions and reactions to it.

Since Tracy attended a Quaker camp as a child, she was familiar with their practices. She also attended Oberlin College in Ohio, so she had a personal history with the area. Both of these connections made the story feel more authentic. Another aspect that I enjoyed about this book is how the story is told as a third-person narrative but every chapter is sandwiched with a with a first person letter, usually written from Honor’s point-of-view.

Honor not only notices how different the Ohio flora and fauna is from her native country, but also the quilting styles. She is used to doing English Paper Piecing and patchwork, while the Quakers in Ohio seem to do a lot of red and green appliqué quilts. Honor thinks that the appliqué work is simpler and easier than what she’s used to doing although I personally haven’t made an entire quilt using traditional appliqué as I think it’s pretty difficult.  

It was interesting to find on Tracy’s website under the section about “The Last Runaway” that there are links to Pintrest boards that Tracy has set up with photos of examples of English, American, Red and White, and African American quilts.

Art & Soul art show this Sat, Nov. 16 in Yellow Springs

Art & Soul, features 30 exceptional artists who “put their souls into making art.” The show is this Sat., Nov. 16 from 10 am-5 pm. It will be in the Mills Lawn School Gym, 200 S. Walnut St. in Yellow Springs, just one block from the Xenia Ave. There's plenty of free parking in town and also in the lot behind the school.

There is a $3 admission fee, a portion of which will go to the Yellow Springs Schools and the Yellow Springs Police Coat Fund.

You can find photos and bios of all the artists participating on the Art & Soul Facebook page (and you don't have to have a Facebook account to view the page...if it asks you to sign up just close that window).

My Very Educated Mother Just Said Uh-Oh, No Pluto: an art quilt which focuses on the design principle of Unity

"My Very Educated Mother Just Said Uh-Oh, No Pluto," 15" x 15.5", made by Pam Geisel, Oct. 2013

This quilt came about because my art quilt group, the Miami Valley Art Quilt Network, is working through the book "Adventures in Design" by Joen Wolfrom. We were working on the design principles of Unity. We were focusing on Unity through Repetition, Rhythm, and Harmony; Unity with Variation and Contrast; Bridging Extremes through Gradation; Unity through Proximity; and Unity through Movement.

My idea was to have a 4-part piece with each part detailing one of the five focuses although the focuses can also be found in the piece as a whole.

Unity through Repetition, Rhythm, and Harmony :
Repetition is repeating one or more element. Repetition that flows fluidly allows rhythm to come forth. When repetition and rhythm work together, harmony is created.

Obviously the use of circles is repeated throughout the whole piece in the planets and also in their orbits. There is a rhythm to the placement of the orbits, and harmony with the placement of the planets. The beads that hold the piece together also provide unity through repetition and rhythm.

Unity with Variation and Contrast :
Variation is created by shifting the motif shapes and contrast by altering the value, color, or size.

Mars is small and a dark red while in contrast, Jupiter is larger and a lighter red. The tight micro-stippling quilting in between Mars and Jupiter, representing the asteroid belt, contrasts with the space between the other orbits where there isn't any quilting (other than the couching holding down the yarn). 

Bridging Extremes through Gradation :
Bridging is gently moving from one extreme to another, most often with color, value, and shape.

Yes, there are four parts to the quilt and five design focuses. I thought the most obvious place to use bridging was on the sun and the sun is on all four parts equally. Instead of having the orange sun directly on the navy blue background, I "bridged" it by going from orange to yellow to white to light blue to blue to navy blue.

This part was the most fun to make and I did it in a style similar to how I made my fabric mosaics. I worked on the piece as a whole and cut it into four parts later. First I drew center lines and my inner and outer circles. I fused the blue and light blue pieces first, then added the white and yellow pieces. The orange sun had folded edges and was fused to the top.

Unity through Proximity :
Proximity is arranging the visual elements close enough to have a visual bond.

In this section Mercury, Venus, and Earth and close together, giving them a visual relationship. Neptune is farther out, making it more it's own design element. The proximity of the stars also bind them together. 

Unity through Movement :
Movement is created when there is a visual pathway for the eye to follow.

All of the pieces have movement with the couched yarn that are the planets orbits. I believe this section best represents movement with the comet. It is made with silver fun yarn that was couched to the background and a clear bead. It stands out because it is one of the few elements that isn't round.

A note about the title :
When I was working on this I had to decide whether or not to include Pluto. When I was growing up Pluto was a planet. In 2006 Pluto was demoted to a dwarf planet. I decided to include Pluto because nine makes a more interesting design layout than eight. (There are also nine stars in the four outer corners).

I was wondering what effect demoting Pluto had on the mnemonic device used to remember the names of the planets and I found many wonderful mnemonics to remember the names including the title I used, which does draw attention to Pluto's demotion.

As always, you can see a larger view of any of the photos by clicking on them.

More about My Very Educated Mother Just Said Uh-oh, No Pluto

How Does Your Rainbow Grow - a 3D art quilt

"How Does Your Rainbow Grow," 19"W x 8"H x 3.5"D, made by Pam Geisel, Oct. 2013

This art quilt/mini-screen took awhile to grow into the piece that it finally became. It started back in 2009 with just the purple piece which I made as a 4" x 6" quilted postcard. I usually make one or two dozen postcards at a time so this was just one of many postcards that was made that June. But there was something about this one that spoke to me, so I set it aside.
 

The fabric on the lower part was something that I had hand painted, and I had more of that hand-painted fabric although it wasn't all purple, it was also blue, pink, orange and yellow. So sometime in 2010 or 2011 I made the other five postcards using blue, pink, orange and yellow fabrics.

Sometime in 2012 I thought stitching them together to make a "screen" that stood up would be cool, but it didn't seem like enough. So I temporarily pinned them at the corners so they would stand and I set it on my bookshelf, waiting for it to tell me what to do next.

One day while working at Village Artisans, the local artist co-op that I belong to, I realized that one of our wood workers, Rob Liptak, uses large, thin spools to create some of his work. I decided that was just what I needed to support my piece so I asked if I could buy some uncarved spools from him.

The idea was ready, now how to actually make it work.

I butted the postcards together and sewed a large, loose zigzag sttich (using a pastel rainbow variegated thread) where they met.

Then I made sleeves for the five spools and made sure there was a half an inch of fabric on either side of the seam. I folded the raw edge under then fused to the postcard backs on either side of the zigzag stitch.

I removed the spools and machine sewed down the flaps on both sides of the sleeves. Because the stitches would show on the front I used a thread color that matched the front (you can see it in the third photo on both sides of the zigzag).

As always, you can click on any of the photos for a larger view.

More about How Does Your Rainbow Grow

Yellow Springs Artist Studio Tour: meet my guest artists

The Yellow Springs Artist Studio Tour is this coming weekend, Sat., Oct. 19 and Sun. Oct. 20, from 10 am-6 pm both days. This is my sixth year participating as a host, and this year I have four guest artists. We have 26 artists at eight locations with two new host artists and 13 new guest artists.

Courtney Yoakum incorporates drawing, painting and sculpture in her jewelry design. She enjoys using clay to create a surface and design that works well for delicate detail. The images are often inspired by flowers and creatures. After firing, a color pallet is selected and she paints a design using a a thin layering technique to create a vibrant finish.

Steve Smith and Rebecca Graves from 4 Corners Studio work in a partnership creating functional stoneware pieces that are thrown on the potter’s wheel by Steve, with sgraffito surface decoration by Rebecca. Sgraffito is a decorating technique produced by applying layers of color or colors to the unfired clay and than scratching away a design to create contrasting images, patterns and textures. They will also have reduction-fired stoneware.

Libby Rudolf paints watercolors, large and small, inspired by the beauty of The Glen Helen Nature Preserve as well as other natural spaces around the country. She has studied with various nationally known artists and is a signature member of the Western Ohio Watercolor Society. She paints plein-air (out in the middle of nature) whenever possible.

The tour is a driving tour. Visit the Yellow Springs Artist Studio Tour website for more information about the other hosts and guest artists and to download a tour map. Maps can also be picked up at the Winds Cafe, Young's Dairy, the Yellow Springs Chamber of Commerce, and at the artists studios the days of the tour. All studios will have red balloons and signs. 

"Cosmic Connectivity" and "Best of 2013" at the Springfield Musuem of Art

"Cosmic Connectivity" detail

My art quilt "Cosmic Connectivity" is in the Ohio Designer Craftsman's "Best of 2013" show. When we saw this exhibit at the Ohio Craft Museum in Columbus, we were impressed by the number of incredible fiber pieces in the show.

If you like fiber art and will be near Springfield, Ohio in the next few months, you are in luck because the traveling exhibit is now at the Springfield Museum of Art, 107 Cliff Park Rd. in Springfield, Ohio. 

Wednesday-Saturday, 9am-5pm
Sundays 12:30-4:30pm (free)
Closed Monday and Tuesday
- See more at: http://www.springfieldart.museum/?exhibition=best-of-2013-ohio-designer-craftsman-annual-juried-exhibition#sthash.xievpbZc.dpuf

According to their website, the show is scheduled to be there through December 1, but I've heard they plan on leaving it up through the month of December.

The museum is open Wed-Sat from 9 am-5 pm and on Sundays from 12:30-4:30 pm. Admission is $5, free for members, children under 17, and on Sundays.

Wednesday-Saturday, 9am-5pm
Sundays 12:30-4:30pm (free)
Closed Monday and Tuesday
- See more at: http://www.springfieldart.museum/?exhibition=best-of-2013-ohio-designer-craftsman-annual-juried-exhibition#sthash.xievpbZc.dpuf

I've also heard there will be an artist reception on Sat, October 20 but there isn't anything on their website about that.

Hyde Park Art Show - Cincinnati

 

This coming Sunday, Oct. 6, 2013 I'll be at the Hyde Park Square Art Show, which runs from 10 am–5 pm. The show is in downtown Hyde Park at the intersection of Erie Ave. and Edwards Rd. Hyde Park is northeast of downtown Cincinnati. I'll be in booth #27.